攝影：小孫

 

工工工將會于十月和十一月之間，伙同旅居紐約的Otay:onii（施金豆）前往南京、義烏、上海、杭州、廣州和深圳演出。

 

兩組風格回異但同樣身體性很強的音樂人，近年一直在國內外穿梭演出，并得到各方好評，今次三人兩組將會攜手演出：從激動炸裂到幽若茫然；又從反覆矛盾回到頑強脫離——這將會是一些不一樣的晚上。

 

預售票/現場票價統一：購買預售將可得到該場次的專屬鑰匙扣，專屬鑰匙扣會按照預售票數量來生產，將不另外發售。

鑰匙扣設計/監修：吳卓

 

另外現場或許會舉辦現場比賽，歡迎樂迷踴躍參與，贏取豐富獎品。

 

關于Otay:onii：

攝影：Leon Baker

 

作為美國另類金屬樂隊 Elizabeth Colour Wheel 的主唱，施金豆在美國地下音樂圈飽受贊揚；而她個人也以 “otay:onii” 為名，積極活躍在實驗音樂和表演藝術的前沿領域。

施金豆首先是一位純粹的聲音藝術家。她的創作以音域寬廣、嗓音多變的人聲實驗為核心，在作曲中融合電子聲效、環境錄音、聲音拼貼，甚至是刺耳的噪音，從而建立起一種渾然的 “身體性” 表達。不畏真實帶來的殘酷，她極致的音樂掙脫了任何既有風格或結構的束縛，也因此釋放出超脫、解放的感受。

更為難能可貴的是，施金豆在創作中踐行著 “整體藝術” 的理念，對自己作品的詮釋總以聲音、視覺和概念等不同維度延展開來。從舞臺上原始而生猛的表演方式，到神秘主義色彩濃重的音樂視頻創意，再到為舞臺、熒幕設計的不同服裝道具，多變的她會探索最符合表達情景與心境的方式?哪怕極端或讓人一時不好理解?使作品達到最終的完整。正是這種鋒利的態度和每每全情投入的工作方式，讓她年紀輕輕就曾兩獲 “勞瑞·安德森女性科技獎”，并在“ Global Music Award” 和“ Audiovisual Arts Industrial Incubator” 評選中分別斬獲“ 最佳女聲銅獎” 和“ 最佳聲音金獎”。

于2023年初通過北京的 bié Records 發行了最新專輯“夢之駭客 Dream Hacker”并登上Pitchfork得到7.4分的成績，施金豆在2023年分別以樂隊主唱和Otay：onii的身份在北美和歐洲各地巡演，并且登上荷蘭Le Guess Who？ 音樂節和澳大利亞 Essential Tremor 等多個國外特殊音樂舞臺。

 

關于工工工：

攝影：Kelly Hebestreit

 

工工工 是 吳卓（結他/唱）和 Joshua Frank（貝斯）于中國北京組成的二人樂隊。他們用無法再簡化的配置：一把結他和一把貝斯演奏一段段互相交纏的 riff，構成擁有強烈前進感但鼓點留白的波動和節奏。

將搖滾樂解拆再重組，工工工 用僅有的兩把結他重復敲擊彈奏，交織出樂器間的“幽靈節奏”：結他的彈撥幻化為軍鼓和鈸片；貝斯的音律間又會發出有如地鼓的轟鳴。精心設計又異常粗糙，兩人大巧不工的音樂受到原是布魯斯、沙哈拉迷幻搖滾、廣東傳統音樂，甚至是更不相干的鐵克諾舞曲影響，創造出缺乏鼓點，但卻比擁有傳統三大件的樂隊更飽滿的音樂。

工工工 的首張錄音室專輯 幽靈節奏（2019） 在國內外好評如潮，并入選了 Loud And Quiet（英國）和 Aquarium Drunkard（美國）的年度最佳專輯；唱片也同時被 The Wire 雜志選為年度十佳先鋒搖滾專輯之一。樂隊也多次在國際音樂媒體如 Bandcamp Daily、Pitchfork、紐約客、Exclaim！、Fader 和 NPR 上被專題推薦。

在跟樂迷小別三年后，工工工 于 2023 年再度活躍，開始在亞洲和北美各地演出，并埋首進行新專輯的創作。

 

About Otay:onii

Photo: Nat Lacuna

 

Otay:onii (Lane Shi) is a multifaceted artist originally from Haining, China, currently based in NY. Her artistic practice spans across music, sound design, installation art, and film composition. She is the lead vocalist and keyboardist of the punk spit band Elizabeth Colour Wheel (US).

Her artistic practice is characterized by an experimental approach that defies genre boundaries, exploring electronic, ambient, sound collage, and noise, with the aim of breaking down the structures that limit creative expression and achieving a bodily connection through the synchronization of the heart and mind. She believes in echoes, and the potential of "solving a puzzle with another puzzle that can't be seen, be touched, but to feel."

Her critically claimed album NAG was released on ShadowTrash TapeGroup (US) in 2018, MíngMíng 冥冥 on WV Sorcerer Productions (France+China) in 2020, which was honored No.1 in RYM China session 2021, and her newest record Dream Hacker 夢之駭客, which was released on bié records (China) in February 2023 and has received attention from press outlets such as Pitchfork (US), NPR (US), and The Threads Radio (UK).

Onii left footprints in renowned institutions, venues and festivals such as Harvard University whrb 959fm in 2020 and Currents FM in 2021, SXSW US and Roadburn Festival (Netherlands) in 2023. Her written script for the self-produced music video "Un deciphered" was featured by BIE Music, and under their curation, her ritual improvisation documentary across the Tibetan plateau was presented at Le Guess Who Cosmos Global in 2022.

 

About Gong Gong Gong:

Photo：Jia Li

 

Gong Gong Gong (工工工) is the duo of Hong Kong native guitarist and vocalist Tom Ng and Montreal-born bassist Joshua Frank. Formed in 2015 in Beijing's underground music scene, the band taps into a wavelength uniting musical cultures, drawing on inspirations ranging from Bo Diddley to Cantonese opera, West African desert blues, drone, and techno.

The group use their minimalistic tools and idiosyncratic playing style to strip rock n’roll down to its bare essentials: rhythm, melody, and grit. Between the locomotive chug and banjo twang of Ng's guitar and Frank’s thumping bass harmonics, an aura of ghostly snare hits and timpani overtones emerges: the “phantom rhythm” for which the band’s critically acclaimed debut is named. Ng proudly sings in Cantonese, his lyrics merging experimental storytelling and abstract poetry.

The duo’s debut LP, Phantom Rhythm 幽靈節奏, was named one of 2019’s best by Loud And Quiet (UK) and Aquarium Drunkard (USA), as well as one of The Wire magazine’s top 10 avant rock albums of the year. They have been profiled by Bandcamp Daily and Exclaim!, and featured in Pitchfork, Stereogum, Fader, the New Yorker, NPR, and Interview Magazine.