第41屆上海之春國際音樂節主體演出項目
“拜羅伊特在上海”三年歌劇計劃
“Bayreuth in Shanghai” Opera Project 2025-2027
2026年計劃
Opera Production 2026
理查德·瓦格納 三幕歌劇《女武神》
（卡塔琳娜·瓦格納導演，2026年全新制作世界首演）
Die Walküre - Opera in three acts by Richard Wagner
(A Katharina Wagner’s direction, World Premiere of the 2026 New Production)
時間： 2026年4月24日（周五）18:30
2026年4月26日（周日）14:00
地點： 上海大劇院·大劇場
票價： ￥180、￥280、￥380、￥480、￥680、￥880、￥1080、￥1280
Date & Time: 2026/4/24 Friday 18:30
2026/4/26 Sunday 14:00
Venue: Lyric Theatre, Shanghai Grand Theatre
Tickets: ￥180,￥280,￥380,￥480,￥680,￥880,￥1080,￥1280
作曲/腳本：理查德·瓦格納
指揮：許忠
導演：卡塔琳娜·瓦格納
劇本改編：達尼埃爾·韋伯
舞臺設計：卡爾海因茨·貝爾
燈光設計：彼得·尤尼斯
服裝設計：多蘿西婭·尼克羅萊
制作助理：亨德里克·阿恩斯
Composer & Librettist: Richard WAGNER
Conductor: XU Zhong
Director: Katharina WAGNER
Dramaturge: Daniel WEBER
Stage: Karlheinz BEER
Light: Peter YOUNES
Costume: Dorothea NICLOLAI
Production Assistant: Hendrik ARNS
齊格蒙德： 文森特·沃爾夫施泰納
洪?。?威廉·施溫哈默
沃坦（眾神之王）： 沈洋
齊格林德： 瑪努埃拉·烏爾
布倫希爾德： 凱瑟琳·福斯特
弗麗卡（沃坦之妻）： 安娜·瑪麗亞·基尤里
格希爾德（女武神之一）： 徐曉英
奧特林德（女武神之一）： 周凡
瓦爾特勞特（女武神之一）： 王瀟希
施韋特萊特（女武神之一）： 妮娜·埃爾斯特倫
黑爾姆韋格（女武神之一）： 欒藝天
齊格魯內（女武神之一）： 王碧華
格林格德（女武神之一）： 賈文璇
羅斯維塞（女武神之一）： 曹琳
Siegmund Vincent WOLFSTEINER
Hunding Wilhelm SCHWINGHAMMER
Wotan Shenyang
Sieglinde Manuela UHL
Brünnhilde Catherine FOSTER
Fricka Anna Maria CHIURI
Gerhilde XU Xiaoying
Ortlinde ZHOU Fan
Waltraute WANG Xiaoxi
Schwertleite Nina EHRSTRÖM
Helmwige LUAN Yitian
Siegrune Wang Bihua
Grimgerde JIA Wenxuan
Rossweisse CAO Lin
特邀：拜羅伊特節日管弦樂團演奏家
Guest Artists: Musicians of the Bayreuth Festival Orchestra
演奏：蘇州交響樂團
Orchestra : Suzhou Symphony Orchestra
上海大劇院、上海歌劇院聯合出品
Co-presented by Shanghai Grand Theatre and Shanghai Opera House
特別鳴謝：許忠原創音樂工作室
Special Thanks: Xu Zhong Music
時長：約300分鐘（含兩次幕休）
Length: c. 300 minutes (incl. two intervals)
* 劇目信息及時長或有變動，請以現場演出為準。
- All information on programme and duration is subject to change
“拜羅伊特在上海”三年歌劇計劃迎來第二部重磅力作——由拜羅伊特音樂節藝術總監卡塔琳娜·瓦格納執導的理查德·瓦格納歌劇《女武神》全新版本，即將在上海大劇院舉行世界首演。作為瓦格納四聯劇《尼伯龍根的指環》（后簡稱《指環》）的第二部，《女武神》于1856年完成音樂創作，1870年以獨立歌劇形式首演于慕尼黑國家劇院；1876年8月14日，隨著“指環”全劇在拜羅伊特節日劇院首次亮相，該劇亦正式躋身歌劇史傳世經典之列。
《女武神》的故事脫胎于民間傳說《沃爾松格傳說》和北歐古代民歌《艾達》：沃爾松格家族的孿生兄妹齊格林德與齊格蒙德自幼離散，歷經坎坷意外重逢，情愫漸生墜入愛河。這段沖破世俗與神規的禁忌之戀，徹底觸怒眾神，諸神降下裁決，決意處死齊格蒙德。沃坦之女、女武神布倫希爾德雖身負神界使命，卻甘愿違抗父命，拼死護住齊格林德與她腹中尚未降生的孩子，也正因這份堅守本心的抉擇，遭受了眾神的懲戒。這是自由意志對神權宿命的沉靜抵抗，亦是整部指環史詩承前啟后的關鍵伏筆。
作為瓦格納“樂劇”理念的巔峰之作，《女武神》以其恢弘嚴謹的音樂結構、直抵人心的戲劇張力與深邃厚重的人文內核，穩居西方歌劇史里程碑之列。2026年適逢拜羅伊特音樂節創辦暨《指環》全劇首演150周年，亦為《女武神》創作問世170周年。為紀念這一特殊年份，這部全新制作在堅守作品核心藝術價值、還原瓦格納史詩本真的基礎上，力圖以突破傳統的敘事架構與舞臺表達，為觀眾呈現一場兼具經典傳承與美學革新的頂級歌劇盛宴。
卡塔琳娜·瓦格納執導全新版歌劇《女武神》舞美概念圖
'Bayreuth in Shanghai" Opera Project 2025-2027 presents its second highly anticipated production: a brand-new staging of Richard Wagner's Die Walküre, directed by Katharina Wagner, Artistic Director of the Bayreuth Festival, set to celebrate its world premiere at the Shanghai Grand Theatre. As the second opera in Wagner's four-opera cycle Der Ring des Nibelungen (hereafter referred to as The Ring), Die Walküre was completed in 1856. It received its premiere as a standalone work at the National Theatre Munich in 1870. On 14 August 1876, with the first complete performance of The Ring at the Bayreuth Festspielhaus, the work secured its place as an enduring classic in the history of opera.
The story of Die Walküre draws from the legendary Völsunga saga and the Old Norse poetic Edda. Separated in childhood, Siegmund and Sieglinde, twin siblings of the Völsung clan, reunite unexpectedly after many hardships and fall deeply in love. This transgressive union incurs the wrath of the gods, who condemn Siegmund to death. Brünnhilde, a Valkyrie and daughter of Wotan, chooses compassion over obedience, defying her father to protect Sieglinde and her unborn child. For her loyalty to her conscience, she faces divine punishment. It is a quiet, defiant assertion of free will against divine fate, and a pivotal chapter in the entire epic of The Ring.
A pinnacle of Wagnerian music drama, Die Walküre stands as a landmark of Western opera, celebrated for its monumental musical architecture, gripping dramatic power and profound humanistic vision. 2026 marks the 150th anniversary of the Bayreuth Festival and the complete premiere of The Ring, as well as the 170th anniversary of the completion of Die Walküre. To commemorate this momentous occasion, this brand-new production remains faithful to the work’s core artistic values and Wagner’s original epic vision, while striving to deliver a world-class operatic spectacle that blends classic heritage with aesthetic innovation through a groundbreaking narrative framework and stage presentation.
卡塔琳娜·瓦格納執導全新版歌劇《女武神》舞美概念圖
關于
About
拜羅伊特音樂節
拜羅伊特音樂節在古典音樂和歌劇領域具有極其重要的地位，與理查德·瓦格納的名字緊密相連。它由理查德·瓦格納于 1876 年創立，旨在一座專門建造的節日大廳里演出他自己的作品。這是一個具有革命性的想法，因為在此之前，幾乎沒有專門為演出某位作曲家的作品而設計的場館。因此，該音樂節是歌劇和音樂戲劇史上的一個里程碑。
音樂節是德國和國際文化史的核心組成部分。它不僅塑造了瓦格納的音樂，也對德國文化產生了廣泛的影響。拜羅伊特已成為研究瓦格納作品及其復雜歷史的象征，包括對瓦格納備受爭議的觀點的討論。拜羅伊特音樂節以其對瓦格納歌劇的獨特演繹而聞名，這些演繹往往包含創新的導演理念和舞臺設計。音樂節有著在兼顧音樂和戲劇維度的背景下呈現瓦格納作品的傳統。這有助于將瓦格納的音樂戲劇作為一種鮮活的藝術形式加以保存和發展。由瓦格納親自設計的拜羅伊特節日劇院以其卓越的音響效果而聞名。建筑的設計是專門為了適應瓦格納音樂的要求，從而帶來了獨特的聽覺體驗。這些聲學特性使節日劇院成為歌劇演出的最佳場館之一。
拜羅伊特音樂節每年吸引著來自世界各地的數千名游客。它是國際文化日程中的一項重大活動，為藝術家、指揮家和導演探索瓦格納的作品提供了一個平臺。該音樂節促進了不同國家和文化之間的文化交流與合作。多年來，拜羅伊特音樂節不斷提供新的藝術動力。導演和藝術家們有自由重新詮釋瓦格納的作品并采用創新的方法。這使得音樂節不僅保留了傳統，還將當代的主題和視角融入到演出中。音樂節在音樂教育和研究方面也發揮著重要作用。它提供了許多與瓦格納作品及其對音樂史的影響相關的活動、講座和討論。這促進了對從 19 世紀至今的音樂和文化的理解與討論。
拜羅伊特音樂節不僅是一個藝術之地，也是一個社會討論的場所。對瓦格納備受爭議的觀點及其對當今社會的影響的審視是音樂節的重要組成部分。這使得人們能夠對藝術在社會中的作用以及藝術家的責任進行批判性思考。
The Bayreuth Festival
The Bayreuth Festival is of outstanding importance in the world of classical music and opera and is closely associated with the name of Richard Wagner. It was founded in 1876 by Richard Wagner to perform his own works in a specially built festival hall. This was a revolutionary idea, as there had previously been hardly any venues designed exclusively for the performance of a particular composer. The festival is therefore a milestone in the history of opera and music theater.
The festival is a central component of German and international cultural history. They have shaped not only Wagner's music, but also German culture in general. Bayreuth has become a symbol for the examination of Wagner's work and its complex history, including the discussion of Wagner's controversial views. The Bayreuth Festival is known for its special productions of Wagner's operas, which often include innovative directorial concepts and stage designs. The Festival has a tradition of presenting Wagner's works in a context that takes into account both the musical and theatrical dimensions. This has helped to preserve and develop Wagner's music dramas as a living art form. The Festspielhaus in Bayreuth, which was designed by Wagner himself, is renowned for its exceptional acoustics. The architecture of the building was specially adapted to the requirements of Wagner's music, resulting in a unique sound experience. These acoustic properties have made the Festspielhaus one of the best venues for opera performances.
The Bayreuth Festival attracts thousands of visitors from all over the world every year. It is a major event in the international cultural calendar and provides a platform for artists, conductors and directors to explore Wagner's work. The festival promotes cultural exchange and cooperation between different countries and cultures. Over the years, the Bayreuth Festival has repeatedly provided new artistic impetus. Directors and artists have the freedom to reinterpret Wagner's works and pursue innovative approaches. This has contributed to the fact that the Festival not only preserves tradition, but also incorporates contemporary themes and perspectives into the performances. The festival also plays an important role in musical education and research. They offer numerous events, lectures and discussions dealing with Wagner's work and its influence on music history. This promotes understanding and discussion of music and culture from the 19th century to the present day.
The Bayreuth Festival is not only a place of art, but also a space for social discussions. The examination of Wagner's controversial views and their impact on today's society is an important part of the Festival. This enables critical reflection on the role of art in society and the responsibility of artists.
