舞劇《朱鹮》
Dance Drama Crested Ibises
出品
Publisher
中國人民對外友好協會
The Chinese People’s Association for Friendship with Foreign Countries
中共上海市委宣傳部
The Publicity Department of the CPC Shanghai Committee
上海文化廣播影視集團有限公司
Shanghai Media & Entertainment Group
承制
Contractor
上海文廣演藝(集團)有限公司
SMEG Performing Arts Group
營運推廣
Promotion
上海京兆文化傳播有限公司
Shanghai Jingzhao Culture Communication Co., Ltd.
出演
Presentation
上海歌舞團有限公司
Shanghai Dance Theatre Co., Ltd.
特別支持
Special Support
國家藝術基金會
China National Arts Fund
中國友好和平發展基金會
China Friendship Foundation for Peace and Development
上海文化發展基金會
Shanghai Culture Development Foundation
中國舞蹈家協會
Chinese Dancers Association
出品人
Presenter
李小林 陳東
Li Xiaolin Chen Dong
總監制
General Supervisor
黎瑞剛 王建軍
Li Ruigang Wang Jianjun
總策劃
Chief Planner
吳孝明 夏國珠 馮雙白
Wu Xiaoming Xia Guozhu Feng Shuangbai
策劃
Planner
酈國義 徐春萍 羅斌 李甲芹
Li Guoyi Xu Chunping Luo Bin Li Jiaqin
制作人、藝術監制
Producer
陳飛華
Chen Feihua
營運總監
Executive Director
王儉中
Wang Jianzhong
統籌
Coordinator
曹強 楊建華 王菁 劉奎麗 宗克惠
Cao Qiang Yang Jianhua Wang Jing Liu Kuili Zong Kehui
一、上海歌舞團簡介
Introduction of Shanghai Dance Theatre
上海歌舞團成立于1979年6月，2009年11月轉企改制，創作演出中國民族舞劇、舞蹈、聲樂作品。
建團四十余年來，上海歌舞團積累了眾多藝術精品：大型服飾舞蹈劇《金舞銀飾》以及《閃閃的紅星》《野斑馬》《霸王別姬》《花木蘭》《天邊的紅云》《舞臺姐妹》《一起跳舞吧》《朱鹮》《永不消逝的電波》等十余部舞劇作品；中華鼓舞《龍之聲》、舞集《滿庭芳》《這些年，我們跳的舞》《在路上》《天地人》以及《心中的歌》《乘著歌聲的翅膀》《相約春天》等數十臺專場作品；《根之雕》《當代節奏》《夜深沉》《秀色》《大地》《聽見身體》《傣家的女兒傣家的雨》《蒲公英》《只為途中與你相見》《天浴》《漫·慢》《彼時此刻》《秋日》《看不見的墻》《背面》等百余個舞蹈節目。
榮獲精神文明建設“五個一工程”優秀作品獎、中國文化藝術政府獎“文華大獎”、國家舞臺藝術精品工程、中國舞蹈“荷花獎”作品/表演金獎、全國少數民族優秀舞蹈作品展演金獎、上海白玉蘭戲劇表演藝術獎主角獎/配角獎、華東專業舞蹈比賽評委會大獎、上海文藝創作精品以及新加坡、日本、韓國多項國際聲樂大賽金獎等眾多獎項。
劇團人才濟濟，榮典·首席演員朱潔靜、王佳俊，首席演員侯騰飛、王景、畢然、于婷婷、周曉輝等一批在國內外舞蹈業界具有重要影響的青年舞蹈家，領銜眾多獨舞、領舞、群舞演員，構成了梯隊式的舞蹈人才隊伍；許青、席燕娟等青年歌唱家在國內外聲樂專業賽事中摘金奪銀，成績令人矚目，在業界聲名鵲起。
出訪美國、加拿大、墨西哥、阿根廷、英國、法國、德國、俄羅斯、意大利、丹麥、波蘭、捷克、奧地利、愛爾蘭、澳大利亞、新西蘭、日本、韓國、新加坡、土耳其、泰國、馬來西亞、哈薩克斯坦、越南、摩洛哥、匈牙利、古巴、秘魯等國家及港澳臺地區演出，舞劇《金舞銀飾》《野斑馬》《霸王別姬》《朱鹮》等作品享譽世界舞臺。
Founded in Jun. 1979, Shanghai Dance Theatre (SDT) completed the enterprise restructuring of sate-owned art troupes in Nov. 2009. SDT is committed to creating Chinese national dance dramas, contemporary dances, vocal music productions, instrument music productions, etc.
Since its foundation, SDT has accumulated a large number of high-quality artistic productions such as the grand costumes dance drama Golden Dances & Silver Costumes, dance dramas Shinning Red Star, Wild Zebra, Farewell to My Concubine, Hua-Mulan, The Red Clouds over the Horizon, Stage Sisters, Turn in to Dancing, Crested Ibises, The Eternal Wave, etc. SDT has created a number of special gala shows including Dragon Sound, Fragrance, The Dances We Danced, On the Road, Sky, Earth and People, The Songs in the Heart, On the Wings of Song, Date in Spring, etc. SDT has also created over 100 dance pieces such as Root Carving, Contemporary Rhythm, Deep Night, Beauty, Earth, Listen to the Body, The Girls and the Rain of the Dai Nationality, Dandelion, Only for Meeting with You on the Way, Heaven Bath, Wandering, Moment, Autumn, Invisible Walls etc.
SDT has received many awards and honors including China Five Projects Award of Spiritual Civilization Construction by the Propaganda Department of the Central Committee of the CPC, Splendor Award of Government Award for Chinese Culture and Art by China Ministry of Culture, China National Stage Art Fine Works Project Award, gold prize of Lotus Award of China National Dance Competition, gold prize of Chinese National Minority Dance Competition, the 30th Shanghai Magnolia Stage Performance Award, first prize of Professional Dance Competition of East China, award of Shanghai Fine Art Creation, gold awards of international vocal competitions in Singapore, Japan, Korea, and so forth.
SDT has a pool of talents such as the chief dancers with honor and glory Zhu Jiejing, Wang Jiajun, chief dancers Hou Tengfei, Wang Jing, Bi Ran, Yu Tingting, Zhou Xiaohui who are all famous young dancers and own global appeal. Besides, there are a large number of excellent soloist dancers, leading dancers and group dancers constituting the high-quality dance talents in echelon. Xu Qing, Xi Yanjuan and other young singers have won lots of gold and silver awards in the professional vocal music competitions at home and abroad, whose achievements have attracted great attention and gained a great reputation in the industry.
SDT had performance tours in the USA, Canada, Mexico, Argentina, U.K, France, Germany, Russian, Italy, Denmark, Poland, Czech Republic, Austria, Ireland, Australia, New Zealand, Japan, Korea, Singapore, Turkey, Thailand, Malaysia, Kazakhstan, Socialist Republic of Vietnam, Morocco, Hungary, Cuba, Peru, Hong Kong, Macao and Taiwan, etc. Dance dramas such as Golden Dances & Silver Costumes, Wild Zebra, Farewell to My Concubine, Crested Ibises are all famous and have got great reputation on a global scale.
二、作品介紹 Introduction of Crested Ibises
朱鹮，國際珍稀保護鳥，象征幸福吉祥的美麗珍禽，被稱為“吉祥之鳥”，純美、典雅、潔凈、高貴。從久遠的農耕時代開始，朱鹮與人類和諧共處、相伴相生；步入近代以來，隨著人類在向現代化與城市化的快速奔跑中，不經意間忽略了朱鹮生存環境的惡化，野生朱鹮繁衍所必須的藍天凈水和寧靜自然的棲息生態愈加險惡，朱鹮種群瀕臨絕跡；到了現代，中國陜西洋縣最后7只野生朱鹮的發現，“吉祥之鳥”再次回歸人類視線，在中國和日本科學家的共同努力下，在人們越來越自覺的精心保護和悉心呵護下，朱鹮出現了物種復蘇的吉祥征兆。
舞劇《朱鹮》由中國人民對外友好協會、上海市委宣傳部、上海文化廣播影視集團有限公司聯合出品。舞劇以國際珍稀保護鳥朱鹮為題材，在呈現朱鹮純美、典雅、潔凈、高貴的背后，彰顯啟示人與自然界其他生靈平等和共處的理念，啟發對人類與其他生靈和自然環境休戚與共關系的思考——
但愿，守望的不只是人類自己的家園，而是共同的美好家園。
《朱鹮》是一部純美的舞劇，關注環境保護、關注人與自然的和諧相處，“為了曾經的失去，呼喚永久的珍惜”，追求真善美的永恒價值，正視人類在發展過程中曾經遭遇的問題，呼喚綠色的可持續發展理念，帶給觀眾以情感共鳴和思想啟迪。
Crested ibises, an international preserved rare bird species, known as the “birds of good fortune”, are gorgeous and precious creature symbolizing happiness and blessings. They used to be so innocent, gentle and graceful and lived with human beings in the agrarian times as human’s loyal and adorable companions. However, when accelerating the pace of modernization and urbanization in modern time, human beings neglect the deterioration of the living environment of crested ibises. The natural habitat upon which the wild crested ibises are so dependent for their breeding, such as blue sky, clean water and tranquility, has become so hostile that they are forced to die out gradually. Recently, the discovery of the last seven wild crested ibises in Yang County, Shaanxi Province, made the endangered creature come into people’s sight again. Today, with joint efforts from Chinese and Japanese scientists, crested ibises have received increasingly conscious protection and care from human society. Therefore, the “bird of good fortune” now embraces the auspicious revitalization.
The dance drama Crested Ibises, produced jointly by Chinese People's Association for Friendship with Foreign Countries (CPAFFC), The Publicity Department of the CPC Shanghai Committee and Shanghai Media & Entertainment Group. The performance, themed as the preserved bird crested ibises, aims to aware people of the significance of keeping a harmonious relationship with other creatures. Through the presentation of crested ibises’ beauty, purity and grace, it reminds people to reflect on the interdependence between human beings and nature.
We sincerely hope that human beings will not only take the responsibility for their own homes, but also be the watcher for the homeland for all creatures on the earth.
Crested Ibises will provide people with the special feelings of purity and beauty, focusing on issues of environmental protection, and the relationship between human beings and nature. It appeals to the public to cherish this friend of nature forever, for the sake of that near eternal loss. Besides, it encourages the pursuit of the unyielding values of “the true, the good and the beautiful”; it warns people of the problems encountered in the development process; it advocates the ecologically friendly and sustainable development concept. Overall, the emotional resonance and ideological inspiration is what Crest Ibis is expected to bring to its audiences.
三、劇情簡介 Plot Summary
朱鹮，象征幸福吉祥的美麗珍禽，被稱為“吉祥之鳥”。
在很久以前的農耕時代，朱鹮與人類和諧共處，相伴相生。
在人類的記憶深處，朱鹮是一種多情的鳥類，它們矜持、典雅、潔凈、高貴，同時也敏感、脆弱和多疑。
那時節，朱鹮與人類是多么親近友善，多么情深意長。
不知自何時起，“吉祥之鳥”漸漸淡出了人類視線。
人類在向現代化與城市化的快速奔跑中，不經意間忽略了朱鹮生存環境的惡化。野生朱鹮繁衍所必須的藍天凈水和寧靜自然的棲息生態，已經變得越來越狹小，越來越險惡了。
20世紀中葉，野生朱鹮種群便已宣告瀕臨絕跡。
1981年5月，中國科學家在陜西洋縣意外發現了七只野生朱鹮，一度被宣告瀕臨絕種的“吉祥之鳥”又重新走進了人類視線。
今天，在中國、日本、韓國以及東西伯利亞，在人類越來越自覺的精心保護和悉心愛護下，朱鹮又出現了物種復蘇的吉祥征兆。
“生命中不能承受之輕”，為了曾經的失去，呼喚永久的珍惜。
- Crested ibis, known as the “bird of good fortune”, is a beautiful and precious rare creature symbolizing happiness and blessings.
Centuries ago, in the agrarian times, human beings live in harmony with the crested ibis, a good friend and adorable companion.
Deep in our memory, crested ibis is a passionate bird, who would appear reserved, elegant, sacred and noble, yet also sensitive, vulnerable and occasionally distant.
At one time, the crested ibis is such a close and warm friend to us.
- No one knows when these "birds of good fortune" gradually fade away from our sight.
Human beings, who are busy racing on the track of modernization and urbanization, neglect the deterioration of the living environment of crested ibis. The natural habitat upon which the wild crested ibises are so dependent for their breeding, such as blue sky, clean water and tranquility, has become ever narrower and hostile.
In the middle of the 20th Century, it is declared that crested ibis has been enlisted as an endangered species of wild nature.
- In May 1981, Chinese scientists accidentally discovered seven wild crested ibis in Yang county, Shanxi province. Therefore, the "birds of good fortune" which have been declared endangered repeatedly fade in people's sight again.
Today, in China, Japan, Korea and eastern Siberia, with our increasingly conscious and careful protection, the size of population of crested ibis has been growing as an auspicious sign.
For "the unbearable lightness of being", and for what was lost in the past, let’s appeal to cherish the future forever.
四、主創 Creative Team
- 制作人、藝術監制：陳飛華
國家一級導演，文化部優秀專家，上海市政協委員，中國人民對外友好協會理事，中國舞蹈家協會理事，上海舞蹈家協會副主席，上海市藝術教育委員會委員、上海市藝術教育協會副會長、上海市長寧區文學藝術界聯合會副主席、上海市長寧區舞蹈家協會主席，四川藝術職業學院、上海市舞蹈學校、上海戲劇學院舞蹈學院、上海體育學院客座教授，舞劇《野斑馬》《霸王別姬》《天邊的紅云》《舞臺姐妹》《一起跳舞吧》《朱鹮》等作品的制作人兼藝術監制，中國舞蹈藝術“突出貢獻舞蹈家”，“上海市德藝雙馨文藝工作者”。
Producer/Art Supervisor: Chen Feihua
China national first-level director; an outstanding expert of China Ministry of Culture; Member of Shanghai Political Consultative Conference; Director of Chinese People's Association for Friendship with Foreign Countries; Director of Chinese Dancers Association; Vice Chairman of Shanghai Dance Association; Member of Shanghai Art Education Committee; Vice President of Shanghai Art Education Association; Vice-Chairman of Shanghai Changning District Literature and Art Federation; President of Shanghai Changning District Dancer Association; Guest Professor of Sichuan Vocational College of Art, Shanghai Dance School, Dance Academy of Shanghai Theatre Academy, Shanghai Institute of Physical Education. Producer and Art Supervisor of the dance dramas Wild Zebra, Farewell My Concubine, The Red Clouds over the Horizon, Stage Sisters, Turn In To Dancing, Crested Ibises, etc. Meanwhile, Chen is also the Chinese Dance Art "Dancers of Prominent Contribution ", the excellent literary and art workers in both performing skills and moral integrity of Shanghai.
- 編劇：羅懷臻
當代著名劇作家，中國戲劇家協會副主席，上海市劇本創作中心藝術指導、上海戲劇學院兼職教授、中國戲曲學院客座教授。全國宣傳文化系統“四個一批”入才，享受國務院專家特殊津貼，文化部優秀專家，“昆曲藝術優秀主創人員”稱號。重要作品有淮劇《金龍與蜉蝣》《西楚霸王》，昆劇《班昭》《一片桃花紅》，京劇《西施歸越》《寶蓮燈》《李清照》，越劇《真假駙馬》《梅龍鎮》《青衫•紅袍》，甬劇《典妻》，豫劇《曹公外傳》，黃梅戲《長恨歌》《孔雀東南飛》，川劇《李亞仙》,瓊劇《下南洋》，滬劇《胭脂盒》等。出版劇作選集《西施歸越》《九十年代》，出版文集《羅懷臻戲劇文集》（6卷）。
Scenarist: Luo Huaizhen
Playwright: Luo Huaizhen
Contemporary well-known playwright; Vice Chairman of China Dramatists Association; art director of Shanghai Art Creative Centre; adjunct professor of Shanghai Theater Academy; guest professor of the National Academy of Chinese Theatre Arts; selected as the “China's cultural celebrities and four batches of talents" by Publicity Department of the Central Committee of the CPC; enjoying special allowance of the State Council; outstanding expert at China Ministry of culture; enjoying “Outstanding Senior Creator of Kunqu Opera” title.
Major works: Huai opera, e.g. Golden Dragon and Ephemera,the West Overlord Chu; Kunqu Opera, e.g. Ban Zhao, A piece of Peach Blossom Red; Peking Opera, e.g. When Xishi Returns Yue, Lotus Lantern, Li Qingzhao; Yue opera, e.g. True and False Princes, Westgate, Green Shirt•Red Dress; Ningbo opera, e.g. Wife Lending; Henan opera, e.g. Unofficial Biography of Cao Cao, Huangmei opera, e.g. Song of Everlasting Sorrow, Peacock Flying Southeast; Sichuan opera, e.g. Li Yaxian, Hainan opera, e.g. Go to Southeast Asia, Shanghai opera, e.g. Rouge Box, etc.
Published works: anthology of operas such as When Xishi Returns Yue, 1990s; A collection of Chinese Opera Works by Luo Huaizhen (6 volumes).
- 導演、編舞：佟睿睿
中國歌劇舞劇院國家一級編導，上海歌舞團特聘編導，入選中宣部“四個一批”人才。2000年畢業于北京舞蹈學院編導系。其作品一直秉承中國舞蹈的美學特點，探索肢體語言中的文化表達，代表作《扇舞丹青》《根之雕》《綠帶當風》《碧雨幽蘭》《秀色》《夜深沉》《鄉愁無邊》《羅敷行》《點絳唇》等，舞劇《南京1937》《大地》《水月洛神》《一起跳舞吧！》《朱鹮》，歌舞詩劇《四美圖》等舞臺作品，形成獨特的語言風格以及極致的審美追求。作品多次獲得各類國家級舞蹈、舞劇比賽金獎，“五個一工程”優秀作品獎，文華優秀作品獎、文華導演獎、荷花杯舞劇、舞蹈詩作品金獎，編導金獎，作品入選國家舞臺藝術精品工程。
Director/Choreographer: Tong Ruirui
First-level choreographer-director of China National Opera and Dance Drama Theatre; distinguished choreographer-director of Shanghai Dance Theatre, selected as the “China's cultural celebrities and four batches of talents" by Publicity Department of the Central Committee of the CPC; Beijing Dance Academy Choreography Department graduate. Her works inherit the aesthetic characteristics of Chinese traditional dance, exploring the cultural metaphor of body language. Through her representative dance productions, such as dance pieces, e.g. Fan Dance in Danqing, Root Carving, Green Wind, Blue Rainy Orchid, Beauty, Deep Night, Spring-River Flower-Moon Night, Songs for Luofu, Rouged Lips, dance drama e.g. Nanjing 1937, The Earth, Goddess and the Dreamer, Let’s Dance Together, Crested Ibises, and stage productions like the Painting of Four Beauties, she has formed a typical expressive style and the extreme pursuit for aesthetic values.
Awards and honors: several gold prizes covering a diversity of national dance and dance drama choreographic competitions, for instance, Five Projects Award for Excellent Work, Wenhua Award for Excellent Work, Wenhua Award for Director, Lotus Award for Dance Drama, Lotus Award Gold Prize for Dance Epic, works selected into the national stage art quality repertoire.
- 作曲：郭思達
當今在中國舞臺極為活躍的青年作曲家，創作的作品涉及交響樂、影視、舞臺等廣泛領域。曾獲第九屆中國舞蹈“荷花獎”最佳音樂創作獎。為紀念汶川地震一周年、國家公祭日、紀念抗戰勝利70周年大閱兵、2008北京奧運會等國家大型活動創作過數首儀式音樂作品。
代表作品：
音樂?。骸盾岳蚧ā贰痘▋号c少年》《青城》《八尾貓與小王子》。
舞?。骸端侣迳瘛贰吨禧q》《一起跳舞吧》《聊齋》《花間十二聲—24節氣》《無田甫田》《水上紅樓夢》《雕刻時光》《問香》等。
影視音樂作品：《新版紅樓夢》《帝國的女人-楊貴妃》《功夫俠》《惡靈之門》《故宮》《走西口》《魁拔》《中國瓷》等。
Composer: Guo Sida
Extremely active young Chinese composer on today's stage. Guo’s works cover a wide range including films and television, symphony, songs, stage creations. He was awarded as the best music composer of 9th Lotus National Dance Competition in 2013. His representative works include those in memory of the 1st anniversary of the Wenchuan earthquake, the National Memorial Day, the parade at the Commemoration of the 70th Anniversary of the Victory of the Chinese People’s War of Resistance against Japanese Aggression and The World Anti-Fascist War, the 2008 Beijing Olympics, and other national events.
Recent major works:
Musicals, e.g. Jasmine Flowers, Flowers and the Youngster, Charm from Qingcheng, Eight Tailed Cat and the Little Prince
Dance dramas, e.g. Goddess and the Dreamer, Crested Ibises, Let’s Dance Together, Strange Stories from A Chinese Studio, Blooming of Time, Wu Tian Fu Tian, A Dream in Red Mansions, Sculpturing in Time, Offering Fragrance, etc.
Films and television productions, e.g. A Dream in Red Mansions New Edition, Lady of the Empire, Kung Fu Man, the Apparition, the Forbidden City, Zou Xi Kou, Kui Ba, China, etc.
- 編舞：何滔
畢業于北京舞蹈學院中國舞編導專業，目前從事舞蹈理論課、基訓課、劇目課、編導課的教學和舞蹈研究工作。1996年獲 “桃李杯”民間舞比賽廣東賽區甲組金獎；1999年《青春》《云風吟》獲東方起點杯創作比賽創作二等獎及優秀表演；2001年《落花》獲華北五省一市暨北京第七屆舞蹈比賽創作二等獎；2006年《石灣瓷趣》獲“桃李杯”全國舞蹈比賽少年組創作優秀獎；2007年舞劇《南京1937》獲文化部“五個一工程”文華獎；2010年《南海我的家》獲南海舞蹈花會銀獎；2011年舞劇《水月洛神》獲荷花杯舞劇作品金獎、編導金獎。
Choreographer: He Tao
Beijing Dancing Academy graduate, major in Chinese dance choreography. Currently engaged in teaching and research work of dance courses involving theoretic study, basics, repertory, and choreography course.
Awards and honors include: gold award in group A of Taoli Cup National Dance Competition Guangdong Division in 1996; Youth, and Songs of Cloud and Wind awarded second prize of Starting from East National Choreography Competition in 1999; Falling Flowers awarded the second prize of the 7th Five Provinces and One City of North China & Beijing Dance Competition in 2001; Porcelain from Shiwan awarded excellence award of youth group for creativity in Taoli Cup National Dance Competition in 2006; Nanjing 1937 awarded silver prize of “Five Projects” Wenhua Award by China Ministry of Culture in 2007; the South China Sea is My Home awarded silver prize by South China Sea Dance Flower Exhibition in 2010; the dance drama Goddess Luo awarded gold prizes of Lotus Award respectively in artwork and director in 2011.
- 舞美設計：張繼文
國家一級設計師，中國舞臺美術學會理事，《軍旅舞臺美術研究中心》研究員。代表作品《西出陽關》《野班馬》《瓷魂》《霸王別姬》《紅河谷》《白蓮》《情祭》《紅旗飄飄》《國旗下的士兵》《我的夢》《天鵝湖》等。三次在中國美術館舉辦個人美術作品展，出版《張繼文詩畫集》《張繼文繪畫作品集》《張繼文舞臺美術設計圖集》《張繼文紙上繪畫》等文集。獲得獎項有中國舞臺美術學會專業設計獎“學會獎”，中國舞美設計金獎，三度獲文化部“文華”舞美設計單項獎，中國戲劇節優秀舞美獎，中國舞劇匯演優秀舞美設計獎，中國舞蹈家協會“荷花杯”最佳舞美設計金獎。
Stage Designer: Zhang Jiwen
China National first-level designer; Director of China Stage Arts Association; researcher of the Military Stage Art Research Center.
Representative works: West Out, Wild Zebra, Spirit of Porcelain Farewell My Concubine, Red River Valley", White Lotus, Love Memorial, Red Flag Flying, Soldiers Alongside the National Flag, My Dream, Swan Lake, etc; three solo-exhibitions in the National Art Museum of China; published works include Poetry Collection by Zhang Jiwen, Painting Portfolio by Zhang Jiwen, Stage Art Design Portfolio by Zhang Jiwen; Paintings on Paper by Zhang Jiwen, etc.
Awards and honors: Academy Award in professional design by China Stage Arts Association, gold prize for stage art design in China, Wenhua Award for stage art design by China Ministry of Culture for three times, excellence award for stage art design in China Drama Festival, excellence award for stage art design in China dance joint performance, gold prize for stage art design in Lotus Award by Chinese Dancers Association.
- 服裝設計：鐘佳妮
北京現代舞團服裝設計師，中國服裝設計師協會會員、中華服裝文化研究會會員、中國舞美家協會會員。代表作品：現代舞《覺》《三更雨》《水問》《雕刻時光》，舞集《大地》，舞劇《南京1937》《李玉剛·四美圖》《一起跳舞吧》，話劇《大將軍》《老舍五則》，芭蕾舞《情·色》《霾》等，參與了1995年聯合國第四次世界婦女大會開幕式、1997慶祝相香港回歸祖國大會、首都慶祝五十周年國慶天安門大型晚會、慶祝澳門回歸祖國大會儀式等大型活動，擔綱服裝設計。
Costume Designer: Zhong Jiani
Costume designer of Beijing Modern Dance Company; member of Chinese Fashion Association, member of China Clothing Culture Research Association, member of Chinese Stage Designer Association.
Representative works: modern dance, e.g. Feelings, Midnight Rain, Offering, Sculpting in Time; dance collection, e.g. the Earth; dance drama, e.g. Nanjing 1937, Li Yugang·Four Beauties, Let’s Dance Together, General, Five Short Stories of Lao She; ballet, e.g. the Feeling, the Color, Haze, etc.
Art experience: participated as a garment designer in the opening ceremony of the United Nation 4th World Conference on Women in 1995, the celebration ceremony on Hong Kong's return to the motherland in 1997, celebration gala on the 50th anniversary of National Day in Tian’anmen square of Beijing in 1999, celebration ceremony on Macau's return to the motherland in 1999.
- 燈光設計：邢辛
中國國家話劇院一級燈光設計。文化部優秀專家，獲國務院特殊津貼。作品涉獵廣泛。近年主要舞臺設計作品話劇《簡愛》《死無葬身之地》，歌劇《西施》《大漢蘇武》，舞劇《朱鹮》《水月洛神》，甬劇《典妻》，川劇《死水微瀾》，黃梅戲《徽州女人》，花鼓戲《十二月等郎》，晉劇《傅山進京》，京劇《駱駝祥子》《天下歸心》，昆曲《紅樓夢》，越劇《梁?！?，梨園戲《節婦吟》，秦腔《西亰故事》《花兒聲聲》，評劇《紅高粱》，兒童劇《西游記》。連續獲得第九至十四屆文華舞臺美術，燈光設計獎。 2004—2010年度全國戲劇文化獎（話劇金獅獎）。第五屆全國優秀兒童劇展演舞美設計獎。第三屆中國京劇藝術節優秀燈光設計獎。第六，七，八屆中國戲劇節舞美獎。多次獲得“中國藝術節獎”、“五個一工程獎”、“中國戲曲學會獎”、“中國舞美學會獎”等國家級獎項 。
Lighting Designer: Xing Xin
First-level lighting designer of National Theatre of China; outstanding expert of China Ministry of Culture，enjoying special allowance of the State Council. Xing’s designs are extensive in topics. Major works are drama Jane Eyre, Mort san sepulture, Opera Xi Shi, Su Wu, Dance drama Crested Ibises, Goddess and the Dreamer, Ningbo opera the Surrogate Woman, Sichuan opera Ripples Across Stagnant Water, Huangmei Opera the Lady from Huizhou, flower-drum opera Waiting for My Lover, Shanxi opera Fu Shan Goes to Beijing, Peking opera Rickshaw Boy, You and Me, Kunqu Opera A Dream in Red Mansions, Shaoxing opera Butterfly Lovers, Liyuan opera Melancholy Song of the Widow, Shaanxi opera Xijing Story, the Sound of Huaer On and On, Pingju Opera The Red Sorghum, child play A Journey to the West. Awards include the 9-14th Wen Hua Awards for Stage Design and Lighting Design, 2004-2010 National Theatre Culture Award, the 5th National Child Play Performance Award for Stage Design, the 3rd China Peking Opera Art Festival Excellence Award for Lighting Design, the 6-8th China Theatre Festival Award for Stage Design, and other national awards, e.g. China Art Festival Award, Five Projects Award, China Opera Society Award, China Stage Art Design Academy Award.
- 化妝造型：徐彬
中央芭蕾舞團化裝造型師。畢業于中央戲劇學院化妝造型設計專業。自幼學習繪畫，具有十年的繪畫能力訓練，對東西方美術進行了深入了解，包括中國畫、中國古代工藝美術、西方古典繪畫、西方現代派藝術等。為國內外幾十部中外劇目擔任化裝造形設計，依靠著扎實的造型功底，把其女性的敏感與南方的細膩情感融合，在造型語匯上力求創新，她精致的設計風格在舞蹈中得到完美的展示，受到各方的好評。2012年獲文化部“國家藝術院團優秀劇目展演”舞臺美術（化妝造型設計）獎項。
Makeup and Stylist: Xu Bin
Stylist in the National Ballet of China; graduated from Central Academy of Drama, major in makeup and style design; learning painting since an earlier age, now owning ten-year studying and training experience in painting; holding in-depth understanding on Eastern and Western art, including Chinese ink painting, Chinese ancient craft art, western classic art, western modern art; working as a makeup designer for dozens of musical and dramas from home and abroad.
Based on solid styling skills, combining the feminine emotional sensitivity and the delicate style of South China, the innovated and delicate style perfectly displayed in dance receive compliments by various media and critics. Honors include the excellence award in make-up and style design of National Art Institutions Outstanding Repertoire Performance by China Ministry of Culture in 2012.
- 道具設計：李紅超
現任上海歌劇院道具師。主要作品有：舞劇《大禹的傳說》《水月洛神》，歌劇《浮士德》《奧賽羅》《阿依達》和《托斯卡》，現代舞《生命之歌》等。歌舞劇《太陽鳥》，音樂劇《五姑娘》《水漫金山》，主題晚會《光明之城》《中華吟》《惠安嫁女》和《上綱影響》等。
Props Designer: Li Hongchao
Working as props master in Shanghai Opera House at present. Major works: dance drama The Legend of Dayu, and Goddess Luo; opera Faust, Odyssey, Aida, and Tosca; modern dance Songs of Life; dance musical Sunbird, musical the Fifth Daughter, and Water Overflow Golden Hill; theme parties City of Light, Sing for China, Weddings for Daughters in Hui’an, and Moralized Effects.
五、領銜主演 Starring Dancers
- 朱潔靜
上海歌舞團榮典·首席演員、團長助理，國家一級演員，上海舞蹈家協會副主席。畢業于上海市舞蹈學校。
主要作品：舞劇《永不消逝的電波》《朱鹮》《霸王別姬》《天邊的紅云》《野斑馬》《舞臺姐妹》《一起跳舞吧》等，舞蹈《根之雕》《語絲》《國風》《當代節奏》《中國扇》《火鳳祥云》《秀色》《夜深沉》《舞者別戀》《靜飛》《弄清影》《只為途中與你相見》等，獲得第十五屆精神文明建設“五個一工程”優秀作品獎、第十六屆中國文化藝術政府獎“文華大獎”、第三屆中國舞蹈“荷花獎”比賽表演金獎、第四屆中國舞蹈“荷花獎”舞劇·舞蹈詩比賽個人優秀表演獎、第九屆中國舞蹈“荷花獎”舞劇·舞蹈詩比賽個人表演金獎等專業獎項。首屆“上海市十佳優秀舞蹈工作者”、“上海白玉蘭戲劇表演藝術獎 配角獎”、第八屆中國藝術節“觀眾最喜愛演員”、 “中宣部‘四個一批’人才”、“全國五一勞動獎章”、“全國三八紅旗手”、“全國藝德標兵”、“全國文化系統先進工作者”、“上海市領軍人才”、“上海市青年拔尖人才”、“上海市勞動模范”、“上海市青年五四獎章”、 “上海市青年文藝家”。
Zhu Jiejing
Chief dancer with honor and glory in Shanghai Dance Theatre; Director assistant; China national first-level actress; Director and Vice Chairman of Shanghai Dancers Association. Graduated from Shanghai Dance School.
Zhu has taken the leading role in dance dramas The Eternal Wave, Crested Ibises, Farewell to My Concubine, The Red Clouds over the Horizon, Wild Zebra, Stage Sisters, Let’s Dance Together, etc., Zhu’s representative dances include Root Carving, Words, Guo Feng, Contemporary Rhythm, Chinese Fan, Phoenix and Auspicious Clouds, Beauty, Deep Night, Dancer’s Love, Quietly Flying, Dance with the Shadow, Only for Meeting with You on the Way, etc., Zhu has achieved a number of awards and honors in national dance competitions on behalf of Shanghai, including the 16th Splendor Award Government Awards for Chinese Culture and Arts, the 15th China Five Projects Award by the Propaganda Department of the Central Committee of the CPC, the gold award in 3rd Lotus Award National Dance Competition, excellence award for individual performance in the 4th Lotus Award National Dance Competition (Dance Drama-Dance Poem), the gold prize in individual performance of 9th Lotus Award National Dance Competition (Dance Drama-Dance Poem), the honor of “Shanghai Top Ten Outstanding Dancers, the 30th Shanghai Magnolia Stage Performance Award Best Supporting Actress, "Audience’s Favorite Actor" of 8th China Art Festival, one of the group of talents in the Propaganda Department of the CPC Central Committee, more titles awarded such as “National Morality Model”, March 8th Red Banner Pacesetter of China, the National Morality and Artist Pace-setter, the National Advanced Worker of the Cultural System, Leading Talents and Top Young Talents in Shanghai, Shanghai Labor Model, Shanghai Youth May 4th Medal, the Young Artists of Shanghai, etc.
- 王佳俊
上海歌舞團榮典·首席演員，藝術總監助理，國家一級演員。畢業于上海戲劇學院舞蹈學院。
主要作品：舞劇《永不消逝的電波》《朱鹮》《野斑馬》《天邊的紅云》《霸王別姬》《水月洛神》《舞臺姐妹》《一起跳舞吧》等；舞蹈《走向太陽》《當代節奏》《阿里郎》《國風》《翻身農奴》《上海往事》《舞者別戀》《火鳳祥云》《根之雕》《擎天一柱》《金鵬》《陶山醉夢》《蒲公英》等。獲得第十五屆精神文明建設“五個一工程”優秀作品獎、第十六屆中國文化藝術政府獎“文華大獎”、第九屆中國舞蹈“荷花獎”舞劇·舞蹈詩比賽個人表演金獎、第七屆華東專業舞蹈比賽表演金獎等專業獎項，“上海白玉蘭戲劇表演藝術獎 主角獎”、首屆“華東舞蹈之星”、“上海市十佳優秀舞蹈工作者”、“全國藝德標兵”、“上海市青年拔尖人才”、“上海工匠”、“上海市青年文藝家”。
Wang Jiajun
Chief dancer with honor and glory in Shanghai Dance Theatre; Artistic supervisor assistant; China national first-level actor, graduated from the Dance Academy of Shanghai Theatre Academy.
Wang has taken the leading role in dance dramas The Eternal Wave, Crested Ibises, Wild Zebra, The Red Clouds over the Horizon, Farewell to My Concubine, Goddess and the Dreamer, Stage Sisters, Let’s Dance Together, etc., Wang’s representative dance works include Towards the Sun, Contemporary Rhythm, Arirang, Guo Feng, Emancipated Serfs, Shanghai Memory, Dancer’s Love, Phoenix and Auspicious Clouds, Root Carving, A Tower Column, Golden Eagle, Dreaming in Taoshan, Dandelion and so on. The awards and prizes Wang has got mainly include the 16th Splendor Award Government Awards for Chinese Culture and Arts, the 15th China Five Projects Award by the Propaganda Department of the Central Committee of the CPC, the gold prize for individual performance in the 9th Lotus Award National Dance Competition, the 30th Shanghai Magnolia Stage Performance Award Best Actor, the 7th East China Professional Dance Competition Performance Gold Award and other professional awards, the 1st “Star of East China”, Top Ten Outstanding Dancers of Shanghai, the National Morality and Artist Pace-setter, Top Young Talents in Shanghai, the Young Artists of Shanghai, Shanghai Artisan, etc.
- 周曉輝
上海歌舞團獨舞演員，國家二級演員，畢業于上海戲劇學院。
主要作品： 舞劇《朱鹮》《永不消逝的電波》《天邊的紅云》《聽見身體》《紅幕》 《霸王別姬》《野斑馬》等，舞蹈作品《海上年華》《不在》《波萊羅舞曲》《麥積山》《不能放棄》《月夜》《月下樓蘭》《秀色》《夜深沉》，榮獲上海市新人新作表演銅獎，新人新作優秀作品獎，新人新作優秀新人獎，第十屆中國舞蹈“荷花獎”，第十五屆精神文明建設“五個一工程”優秀作品獎，第十六屆中國文化政府獎“文化大獎”等。
Zhou Xiaohui
Soloist dancer in Shanghai Dance Theatre, China national second-level actor, graduated from the Dance Academy of Shanghai Theatre Academy.
Zhou has taken the leading role in dance dramas Crested Ibises, The Eternal Wave, The Red Clouds over the Horizon, Listen to the Body, Dancers, Farewell to My Concubine, Wild Zebra, etc., Zhou’s representative dance works include Sea Carnival, Away, Bolero, Maiji Mountain, Can’t Abandon, Moonlit Night, Kroraina under the Moon, Beauty, Deep Night, and so on. The awards and prizes Zhou has got mainly include the Bronze Award in the Shanghai New Artist Performance, Outstanding New Artist and New Works Award in the Dance Performance of New Artist and New Works, the 10th Lotus Award in the National Dance Competition, the 16th Splendor Award Government Awards for Chinese Culture and Arts, the 15th China Five Projects Award by the Propaganda Department of the Central Committee of the CPC, etc.
- 梁鑫
梁鑫，上海歌舞團領舞演員。
主要作品： 舞劇《朱鹮》《永不消逝的電波》《霸王別姬》《野斑馬》等,舞蹈詩《紅》等 ，舞蹈 《騰》《禪定》《康巴漢子》《母親的麥田》《田橫五佰仕》《龍飛鳳舞》獲第十五屆精神文明建設“五個一工程”優秀作品獎，第十六屆中國文化藝術獎“文化大獎” ，上海新劇目評選優秀作品獎 ，華東六省表演獎 ，桃李杯展演等。
Liang Xin
Leading dancer in Shanghai Dance Theatre.
Liang has taken the leading role in dance dramas Crested Ibises, The Eternal Wave, Farewell to My Concubine, Wild Zebra, etc., dance poem Red. Liang’s representative dance works include Teng, Meditation, Kham Man, Mother's Wheat Field, Tian Heng and His Five Hundred Followers, Flying Dragon and Dancing Phoenix, and so on. The awards and prizes Liang has got mainly include the 15th China Five Projects Award by the Propaganda Department of the Central Committee of the CPC, the 16th Splendor Award Government Awards for Chinese Culture and Arts, Outstanding Works Award of Shanghai New Drama Selection, Performance Award in the East China Six Provinces and One City Professional Dance Competition, dancing performance in the Taoli Cup National Dance Competition, etc.
六、藝術評論 Artistic Reviews
- 《朱鹮》關注環保，探尋人與自然、人與動物的關系，有著征服觀眾的力量，具有世界性、普適性，超越了國界、超越了政治上的敵對，超越了民族的仇恨，這是藝術的偉大之處。
——馮雙白
（中國舞蹈家協會主席）
“Crested ibises pay close attention on environmental protection, and explores the issues of man vs. nature and man vs. animal. It has the power to convince the audience. The theme is global and common, which exceeds the national boundaries, political conflicts, and ethnic hostility. That is the grandeur of art.”
——Feng Shuangbai
(President of Chinese Dancers Association)
- 對舞劇《朱鹮》的整體印象是美，全劇一氣呵成，第一次讓人看的不累，輕松自如賞心悅目，坐在我旁邊的觀眾不停地說“太美了、美不勝收……”。 《朱鹮》讓觀眾得到美的陶冶，非常不容易。
——歐建平
（中國藝術研究院舞蹈研究所所長、博士生導師）
Generally, Crested Ibises has left me the impression of beauty. The plot is coherent, which makes it enjoyable and comfortable. During the performance, some audiences who sat beside me kept saying, "What a beautiful show! It is amazingly gorgeous..." It is incredible that Crested Ibises makes audience feel so intoxicated.
——Ou Jianping
(Director of Chinese Arts Research Institute of Dance Department, Doctoral Tutor)
- 《朱鹮》與國際接軌，撇開了人物、劇情、戲劇沖突的老套路，轉換新的思路，把劇情沖突放大到人和大自然之間，危及人類的生存、思想、情感、誠信度等問題，回復到對真善美的追求和探尋，很有魄力。
《朱鹮》讓我看到了中國舞劇經典作品的希望。
——潘志濤
（北京舞蹈學院教授）
Crested Ibises is global because it puts the old “characters, plots and dramatic conflicts-oriented” stereotype aside, transformed into the new idea of enlarging the dramatic conflict to the extent between man and nature. It discusses issues related to people’s survival, ideology, feelings, integrity. The performance recalls people of the pursuit of “Truth, Kindness, and Beauty”, which is quite a brave gesture. Crested Ibises is the hope of Chinese dance drama classics.
——Prof. Pan Zhitao
(Professor of Beijing Dancing Academy)
- 《朱鹮》抓住環保主題，探尋人與自然、人與動物的關系，處理得很浪漫很
藝術、很祥和，讓觀眾在欣賞美的過程中，接受主題，這就是成功。
舞劇重寫意，把表達放在第一位，拒絕類同，標新立異，從講故事中解放出來，更能體現舞蹈藝術本體的特長，這一點非常難能可貴，是中國舞劇界的一大進步。
——肖蘇華
（北京舞蹈學院教授）
Crested Ibises grasps the theme of environmental protection. It explores the relationship between man and nature; man and animal. And the social issues are handled in a romantic, artistic and peaceful way. Moreover, it is quite extraordinary for the play to convince its audiences while enjoying the show.
The style of the performance is abstract, unique and innovated. Instead of telling a story, it tries to focus on artistic expression, which better reveals the advantages for artistic expression by dancing. That is very valuable and symbolizes a big step further in the field of dance in China.
——Xiao Suhua
(Professor of Beijing Dancing Academy)
- 舞劇清新、簡約、典雅，整體很有品格，多元的結構方式，符合觀眾審美要求，找著了這個題材的表現方式，很好。
在朱鹮的形象上，有著獨特的手段和辦法，充滿了中國古典的韻味，極具東方審美色彩，非?？少F。
——左青
（中國舞蹈家協會顧問）
This performance is fresh, brief, and graceful. The diversified structuring satisfies audiences’ aesthetic requirement. Crested ibises has found itself a suitable way to express such themes, which deserves admiration.
As for the image of crested ibises, it is original in its classical oriental appeal and aesthetic significance, which is so brilliant.
——Zuo Qing
(Counselor of Chinese Dancers Association)
- “該劇不僅走出了中國舞劇的另一條道路，并且顯示出以佟睿睿為代表的青年一代舞蹈編導新的思想與審美理念，是一種進步。”
——羅斌（中國舞蹈家協會分黨組書記、駐會副主席、秘書長）
The success of the play lies in that it not only develops a new thought for Chinese dance drama, but also displays the different aesthetic values represented by those youth choreographer like Tong Ruirui.
——Luo Bin
(Divisional Party Secretary, Vice Chairman, Secretary General of Chinese Dancers Association)
- 《朱鹮》的美，就美在它用曼妙優美的舞蹈語言，用獨特的舞劇架構，強烈地表達了人類對生命自由生存這一目的的執著追求。這是生命理想的美，真正的美。其實質就是對生命的尊重和愛，對生存環境的尊重和愛。
——著名劇作家 歐陽逸冰
The beauty of the dance drama Crested Ibises is that it expresses the human beings’ persistent pursuit for the purpose of the existence of freedom strongly through its graceful dance language and unique architecture. This is the ideal beauty of life, and it is the true beauty, the essence of which is the respect and love for life and the living environment.
——Famous Playwright Ou Yang Yibing
- 看了《朱鹮》以后，思考了很多，帶給我很多感受，走出劇院后，很多畫面會印在腦海里，讓人難以忘懷，這是一個作品最寶貴的成功。
上海歌舞團演員陣容非常強大、齊整，整個團隊對于藝術的品味和追求，乃至業界地位，在全國范圍內都是第一流的。
——趙明
（北京舞蹈家協會副主席、一級編?。?/p>
The watching experience of Crested Ibises gives me massive inspirations and reflections. Even when I left the theatre, the images and scenes are still lingering in my mind. That is the most valuable success for the performance. Meanwhile, Shanghai Dance Theater has a huge and well-balanced cast, whose aesthetic capability and artistic pursuit can be counted as first class nationally.
——Zhao Ming
(Vice Chairman of Beijing Dancers Association, First-level Scenarist)
- 以鳥類作為舞劇的表現對象在舞蹈中并不鮮見，在過去，既有芭蕾經典《天鵝湖》，也有民族舞《雀之靈》，但《朱鹮》用民族舞蹈的獨特舞姿，提煉演化了朱鹮的“涉”、“棲”、“翔”等動作元素，與芭蕾舞藝術緊密地融合在一起，使它成為一部將西方芭蕾藝術和中國民族風格完美結合的舞劇精品。
——戴平
(戲劇評論家)
It is not unfamiliar that a dance drama depicts birds as the main performance object, for instance, classic ballet Swan Lake, folk dance Spirit of Peacock, etc. However, Crested Ibises creatively combines certain extracted movements, such as “wading” resting” and “flying”, from China folk dance unique gestures, with western ballet characteristics. Such an integration make Crested Ibises a high quality dance drama owning both western ballet artistic values as well as Chinese folk dance style.
——Dai Ping
(Drama Critic)
- 欣賞了一臺具有國際水準的、精彩的舞蹈表演，實在太感動了。作為一個一直跟中國往來密切的研究者，能夠出席觀看這臺為中日友好做出巨大貢獻的舞劇，我感到非常榮幸。
——松原剛
（原日本大學藝術學部教授•研究中國戲?。?/p>
I feel so touched to watch a wonderful ballet performance of international standard. As a researcher who comes to China constantly, it is a great honor to have such opportunity to watch a play that has made great contribution to Sino-Japanese friendly relationship.
——松原剛
(The former Professor at Art Department of Nihon University, researching on Chines Drama)
- 這是一部以珍稀鳥類和環境保護為題材的重要作品，在技巧和演出熱情上表現出了很高的水準。兩位主演很棒，伴舞演員們也個個都是高手，值得日本的舞蹈演員們學習?？赐旰笪揖桶褍刃牡恼鸷澈透袆訉懥讼聛恚鳛橐黄u論，發表在了《舞臺報》上。
——瀨川昌久
（日本著名戲劇評論家）
This is an important work focused on rare preserved bird and environmental protection, which shows high-level skills and performing enthusiasm. Two principle dancers are great and the others are also masters. I think they are learning examples for Japanese dancers. Immediately after watching the show, I wrote down my feelings of being touched and shocked as a commentary to be published on the Stage.
——瀨川昌久
(Well-known Japanese drama critic)
- 這臺精彩的舞劇讓我格外感動。
我特別喜歡男主角的精彩表現。
整部作品的主題在第二幕中得到了很好的表現。
——小平澄子
（日本東急文化村代表）
I was wholly touched by the performance. I especially admire the male leading role's performing. Act II fully displays the theme of the play.
——小平澄子
(The Representative of Japan's Tokyu Culture Village)
- 太美了，我感動了整整一個晚上。
人的身體竟然可以把這么豐富多彩的內容表現出來，令我感到十分吃驚。
我覺得舞劇中的朱鹮不亞于我們熟知的歐洲芭蕾舞中的天鵝。
——佐藤早苗
（日本作家）
So beautiful, I was so touched for the whole night. It is hard to believe that a human‘s gestures can show such rich plots. I think Crested Ibises can beat the “swans” in European ballet.
——佐藤早苗
(Japanese Writer)
- 太感動了，整場演出真的是精彩絕倫！
上海歌舞團的演員們個個都是舞林高手！
他們的表演得細膩，看得出來他們基本功很扎實，平時的訓練很到位。
——佐佐木涼子
（日本舞蹈評論家）
I was so impressed. The whole performance is marvelous! The dancers of Shanghai Dance Theater are all heroes! They have very exquisite performing skills. Apparently they have solid basic skills and well trained.
——佐佐木涼子
(Japanese Dance Critic)
- 《朱鹮》之美，還在于它跨越了物種的分野，它不似《天鵝湖》的化鳥為人，也不像《孔雀》的人鳥合一，而是將人和鳥置于平等的情境。這種處理打破了以“人”為中心的價值局限，讓所有的生命得到同等尊重。
——摘自《人民日報•藝術評論版》
Crested Ibises exceeds the boundary of species, which makes it stand out. Unlike the swans in Swan Lake, which personifies the birds, also unlike the peacock, which integrates the bird and human, Crested Ibises regards human and birds as equal lives. Such expression breaks the limitation of human beings’ egoism, while giving the equal dignity to all creatures.
——The People's Daily • Art Critics Column
- 該劇通過它難得的藝術氣質，讓那份人類對于環境和社會的關切，不經意地流淌于藝術的鋪排之中，通過藝術形象的確立和展開，最終讓人們在痛失美好事物的同時切膚地感受到了環境之虞。舞劇《朱鹮》的整個審美過程，都能讓觀者處在一種對于美感把握的美好心態之中，主題的開發和傳導，不是直白地“告訴”觀眾，而是通過舞蹈形象的塑造，讓觀眾緩緩建立起共鳴，一如一泉緩緩流仄的溪水，汨汨地、汨汨地，將對于那份美感和那份啟迪的信任與接受，滲入到人們的心田。
——摘自《舞蹈》雜志
The performance arises people’s attention on environmental and social issues through its unique artistic temperament. When the artistic image is being built and enhanced, audiences begin to worry about environmental problem as they felt the loss of beauty at the end of the play. The whole aesthetic process of watching Crested Ibises makes audiences feel at ease. With the development of the theme, audiences gradually resonate with the play. Like a creek flows alongside, audiences’ trust and acceptance for the theme slowly penetrates into their mind.
——Dance Magazine
- 這個舞劇給大家帶來美的同時，還給大家帶來了一種思考。用藝術的形式比簡單地說教更能夠喚起人們對環境的關心?！吨禧q》受到眾多觀眾的喜愛，除了舞蹈美、舞臺美之外，它美的背后講了一個很深刻的東西，就是環保。它的古代和現代兩幕都展現身邊環境的變化。文藝作品不是只要漂亮，帶給人們思考和深思才是作品的主要內涵。
——摘自《環境教育》雜志
This dance drama brings us both beauty and reflection. It is easier to take advantage of art other than preaches to warn people of environmental problem. The reason that many audiences like Crested Ibises is not only the gorgeous costumes and stage designs, more importantly, it also teaches us a profound lesson ----environment protection. The two acts of ancient and modern times both display the changes of surrounding environment. A classical art creation needs more connotation than a good look.
——The Environment Education Magazine
- 《朱鹮》大膽創新傳統舞劇形式，采用上下篇結構設計，以古今對比的手法 講述了朱鹮物種從遠古的生機勃勃到近代幾乎滅絕，再到復蘇的故事，旨在 通過“曾經的失去”，表達“永久的珍惜”。
《朱鹮》：舞出上海的文化追求。
——摘自《中國文化報》
Crested Ibises creates a brand new form of ballet---Two Half Structure. The whole story tells about the three stages of the crested ibises from flourishing to extinction, to recovering. Crested ibises aims to advocate eternal cherishment by the past loss.
Crested Ibises can be the representative of the cultural pursuit of Shanghai.
——The China Culture
- “‘愛’是世間永恒的溫暖，‘真’是流淌心澗的甘甜，‘美’是萬物的向往……舞劇《朱鹮》，用生命感知世間的大愛，用羽翼呼喚家園的文明，正是這股力量的凝結，我們從東方文明的原點飛翔，做愛的使者、美的化身……”
朱鹮、鹮仙、群鹮，單、雙、群舞，丹青水墨般躍動開來，不拘泥于古典舞，不囿于民族民間舞，只汲取“中國式”的精神氣質的舞蹈之美，將傳統中國溫婉靈動的審美底蘊盡現。
——摘自《中國藝術報》
“Love” warms people eternally in the world. “Truth” is the sweet flow from the bottom of heart. “Beauty” is the hope for everything. Crested Ibises uses life to feel the love, the wings to call for civilization. Such joint power let us fly from the resource of civilization to be the representative of love and beauty.
The crested ibis fairy, as well as the group of crested ibises; the solo dance, the pas de deux as well as the group dance are not limited in the range of Chinese traditional classic dance or folk dance. Instead, it draws the inspiration from “Chinese style” dance to showcase the unique Chinese aesthetic taste.
——The Chinese Art
七、獲獎情況 Awards
2014年《朱鹮》獲上海市新劇目評選展演優秀劇目獎
2014年《朱鹮》榮獲上海文藝創作和文藝家榮譽獎評選“上海文藝創作優品”
2015年《朱鹮》榮獲國家藝術基金大型舞臺劇和作品資助項目
2015年《朱鹮》入圍第十屆“文華獎”
2016年《朱鹮》獲第十屆中國舞蹈“荷花獎”舞劇獎
2016年《朱鹮》榮獲上海文藝創作和文藝家榮譽獎評選“上海文藝創作精品”
2017年《朱鹮》榮獲國家藝術基金大型舞臺劇和作品滾動資助項目
2018年《朱鹮》劇組榮獲“全國巾幗文明崗”稱號
- In 2014, Crested Ibises won the award of the Outstanding Drama in the Shanghai New Play Selection and Performance Competition.
- In 2014, Crested Ibises won the award of the Excellent Works of Shanghai Literary and Artistic Creation in the Shanghai Literary and Artistic Creation and Literature and Art Honorary Award Competition.
- In 2015, Crested Ibises won the honor of the major stage works funding project from the China National Arts Fund.
- In 2015, Crested Ibises won the honor of being selected for the next round of the 10th Splendor Award Competition.
- In 2016, Crested Ibises won the award of the Lotus Award for Dance Drama of the 10th Chinese Dance Competition.
- In 2016, Crested Ibises won the award of the High-quality Works of Shanghai Literary and Artistic Creation in the Shanghai Literary and Artistic Creation and Literature and Art Honorary Award Competition.
- In 2017, Crested Ibises won the honor of the major stage works funding project from the China National Arts Fund.
- In 2018, Crested Ibises won the honor of “National Woman Civilization Station”
